Gender Hacking — Robert Nelson

Combining images in a single work of art isn’t new in the history of art. Centuries before collage assisted the subversive spatial contrivances of modernism, images were deliberately placed beside one another in early Renaissance altarpieces. Within fabulous ornamental architectonic frameworks, dynamic correspondences between pictures argued the pious poetry of doctrine. Normally, there’s a central iconic image of the Virgin who presides majestically; she’s attended by saints to the side and by smaller narrative pictures beneath (the predelle) which elaborated the history or significance of the Mother of Christ.… Continued

Olympia’s Clothes — Robert Nelson

Compellingly cute and enchanting, the clothes of a baby embody the innocence of childhood, the magic of growth, the miracle of physical development and burgeoning awareness. Compared to adult clothing, the clothes of a baby are easily exoticized, for they reflect the ‘clean slate’ of infant psychology, a primitive condition of having neither class- nor race-consciousness and seeming therefore an ideal site for projecting bourgeois fantasies of primal desire at its prettiest, an unattainable earthiness in a condition of exquisite charm, a parcelling of fundamental human urges in an ideal phase of convenient powerlessness.… Continued

Olympia — Robert Nelson

The sensuality of children is integral to parental fondness. The bond between mother and child is physical; and most of the psychological responses and affections are expressed in a physical way.

In art, however, there are well-grounded taboos against recognizing this essential economy. Centuries of jealous puritanical mores-akin to the suppression of all aspects of childhood-have discouraged the artistic exploration of the sensual delight of children and the enjoyment of their own bodies.… Continued

Pose-impose — Robert Nelson

The body of work by Polixeni Papapetrou collectively entitled Authority deals with fashion and power. The work involves a dialogue between contemporary and pre-industrial people and their clothes, connecting radically different conventions which, in spite of lying on either side of a historical divide, carry on a tradition of projecting Authority. The comparison is not without irony. Parallels between ancient majestic guises and contemporary fashion would be chilling were it not for the buoyant and parodic theatricality with which Papapetrou and her sitters take on the weight of their logos.… Continued

Passing — Nikos Papastergiadis

Photography is not just the most efficient technology for memory work, it is also the mirror which promises to reflect the secrets of the self. The popularity of photography is linked to our narcissism. In the first decade of the camera’s invention over 90% of all photographs were portraits. Throughout the Twentieth Century the representation of ideas and commodities was invariably linked to a face.… Continued

Legend — Adrian Martin

By Adrian Martin

Searching for Marilyn: the very title suggests not merely that Marilyn Monroe is now gone, but that she was never really there to begin with. Pop mythology has enshrined her as that poor, unfortunate woman stranded between two identities: Norma Jean and Marilyn, the real person and the fabricated Hollywood icon, the flickering candle and the imperishable myth.… Continued