Strike a Pose

Adrian Martin, Australian Art Collector, Sydney, Issue 28, April - June 2004, pp.102-106

More than ever, contemporary photography in Australia (as in the rest of the world) is splitting starkly into two camps. On the one hand, there is documentary photography, bearing witness to the extremes of suburban grunge and the spontaneous effusions of daily life. And on the other hand, an extremely stylised type of photography which revels in artifice, in the constructed image.

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